I think everyone knows how glad I will be to see winter end and spring begin with all its warmth and glory.
I'm so over the winter wardrobe and just want to hang up my winter jacket for a short sleeve shirt and pair of sandals.
But
even I know it's still just a little too soon to jump on the spring
bandwagon. We are still in for a few more cold snaps. However, that
doesn't mean we can't still have just a little preview of things to come
this spring.
So
let's keep it real and start small. For the first preview of spring,
I'm starting with nail polish. It's something that we all can wear and
it doesn't discriminate on size or age.
Other than my “rosy tosies,Canada Goose Expedition Parka”
I'm not a hard-core nail polish wearer. I will, however, take time out
on a Sunday afternoon for this hot spring shade – nudes.
What
is so great about the color nude — or lack thereof — is that it allows
anyone wearing nail polish the freedom to not be the perfect manicurist
and also to give wearing nail polish an honest-to -goodness try.
When
talking to other women about nail polish, many, including myself, are
kind of intimidated about what a “color” will look like once it's on all
10 fingers.
Its
one thing to try it on your thumb at the store, but another to pay $7
and then get home and find that your fingers look like they're bleeding
or losing circulation. I have a lot more things I can buy with $7 than
one-time-use nail polish taking up residence in my makeup drawer.
So
if you want to start out slow, try a nude. There is nothing wrong with
color, but sometimes less is more. As always, here are some nude shades
to try for each skin type. Happy polishing.
Legler
has a tattoo on her neck that says "Leviathan". "I once dreamed about
whales for six months straight," she says. She tells me the story of
Jonah. How he ran away when God asked him to be a prophet, and ended up
in the belly of a whale, and how, when he later sat in the desert, spat
out and burning, God told him life is about, "doing your part, however
it lands". This – fashion – is where Legler's work has landed, she says.
"My job is to be brave. And to show what that looks like," she
half-whispers. "And if that moves other people to be exactly who they
are – shit, this is going to make me cry – that's what it's for. This,"
she gestures to her hair, to her body, "is just what it looks like for
me." Talking to her feels Berocca-like: it's refreshing to talk to
somebody who can discuss gender in terms of their own body and work, and
who is excited about what that might achieve.
In
2011, when Love magazine published an androgyny-themed issue, featuring
a cover with Kate Moss kissing transgender model Lea T, Vogue described
gender as a "trend". Caroline Evans, professor of fashion history and
theory at Central Saint Martins, scoffs. "It's not a 'trend' – what
nitwits! It's who we are." And Legler agrees. Trends are fleeting.
Androgyny without context is just, she says, a trick of the eye. Without
context it is voyeuristic. "What I really hope is that there aren't a
bunch of girls out there cutting their hair, unless they want to.canada goose chilliwack parka That's
not what this is about," she stresses. "It is why it's happening.
Fashion will do what it needs to do, but this" – this truth that women
don't always look like girls – "exists already on its own." And the best
thing about it, she says, excited, is that by playing with gender so
publicly, by "just being myself", she can help make room for everybody
else: she can help widen our ideas of what is beautiful. A masculine
girl makes way for a feminine boy, and an older woman, and a size 18. Of
course, she is acceptably different – she is slim, tall, white and
classically attractive, but still, she is both boyish and feminine. She
is different. She is helping chip away at walls. She's knocking through
to the kitchen.
We
finish our lunch, and she unfolds herself from the bench. She shrugs on
her jacket, and the people behind the bar give her sly, appreciative
looks. She pulls back the table, she pushes in my chair, she makes
space.
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